The Beatles - REVOLVER - All 14 songs and their corresponding tempi - Why is the measpeed conjecture cutting edge? Didn't a lawyer discover it?


the song list as it appears on Revolver, tracks 1-14

the song list as it appears on Revolver, tracks 1-14 - SORTED BY SPEED
The album 'Revolver' by the Beatles marked a changing point in contemporary music in so many ways that one could Google 'Revolver' and all the opinions thereon and not finish in three lifetimes!
At Meanspeed Music Research Labs in New Jersey, we set out to calibrate the entire Beatles catalog. Indeed, we have finished Revolver.

These charts represent the speeds, or tempos, and depending how much of a geek one is, "tempi." In and of itself, this is not such a big deal. Two things, though *do* make it big:
1) all beat per minute lines showing the line of advance of any of these 14 songs, or *any* of the songs calibrated here, are done in
a) the song's *entirety*;
b) in a contiguous manner; and
2) such an undertaking is the first of its kind, making me anything from very driven and talented or very driven by deluded ideation. In this regard, it is up to YOU to decide.

The Beatles Project will continue with the next album *in its entirety* - I hope you beatles purists like that - as I am a Genesis 'purist' and if one of you all were doing that which I am blessed enough to do, I would want every beat of every album - not just the 'stuff that got played on the radio.
We are beginning to hear more feedback - and we thank you for that. It was a particularly strong letter from a media corporation in California that said, "KEEP GOING! We keep your website online 24/7 in the studio and you have no idea what a difference it has made." Ah - yes, some things are far sweeter than money. The meanspeed conjecture, secretly called Emotion 9 as of last night's Meanspeed Music board meeting (all 4 of us!) wherein one of the members realized that the secret to the ACCURACY OF THE beats per minute is due largely from averaging nine trials. If we were averaging only 7 trials, the average tempo in any space would be correct with an error of +/- 1.02% - it is the ninth trial that makes any meanspeed accurate to +/- 0.067% - an element that has made many academics eyes suddenly turn a wild green. Exceptions: Drs. Van Gelder, Clynes, Repp, Levitin. These four academics are so assured of their role in the endeavor of discerning what makes music psyche us up - what makes us not want to hear music at all and, on this page: what makes a player in a particular mood play at a *predictable tempo*. And why is the tempo scale so full of counterintuivity? The most striking counterintuitive element of Emotion 9: why are the songs at 81 beats per minute predictive of lonely emotive performances and 76 beats per minute indicative of grace and comfort? Aren't songs supposed to get *happier as they speed up*? Fact is, from 116 bpm to 119 indicates a movement from foreboding to victory. Logical. Also, a movement where the tempo is 86 bpm, which falls in the beginning of the category renewal (songs at approximately 85-89 bpm) rather than 83 is predictive of loneliness (songs at approximately 79-84 bpm) loneliness indeed sees an emotion of the lonely going into rehab ("I Want To Know What Love Is," Foreigner --> speeding to one coming out of the 30 day detox renewed ("Hello, It's Me," Todd Rungren).
And what is Emotion 9? The short answer is that it is the total pelvic rhythm of orgasm in both men and women - approximately 98-105 bpm. Leave it to the German anal probe experiments on orgasm to give us an accuracy as to the Ultimate Feeling of Natural Euphoria (orgasm). The meanspeed scale is, as you can see by exploring the dropdown screen -
Those ranges are as follows:
- 54-58-Melodrama
- 59-62-Sincerity
- 63-69-Ceremony
- 70-76-Grace
- 77-78-Bittersweetness
- 79-84-Loneliness
- 85-89-Renewal
- 90-97-Enthusiasm
- 98-105-Natural
- 106-113-Lust
- 114-118-Foreboding
- 119-128-Victory.

Revolver Slideshow - by Sophia St. John Newman, James C.C. Manning & Sarah Jane Bristol
Ian Andrew Schneider
Emotion 9
April 27, 2008



