Saturday, April 25, 2009
Monday, April 6, 2009
Seeing The Speed Of Lust -Three Graphs of the Line of Advance of Eight Songs Showing Speed Moving Through Space - 8 YouTube Videos Illustrate
These eight songs have average speeds of between 106-113 beats per minute.
Lou Reed - “Intro/Sweet Jane”
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Live performance of Velvet Underground’s “Sweet Jane“…velvet underground sweet jane lou reed
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  From: SleepyNiteLite |
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Time: 05:31 |
Robert Palmer - “Addicted To Love”
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by Robert Palmer performing Addicted To Love with Robert Palmer (C) 1985 The Island Def Jam Music Group…Robert Palmer Addicted To Love Rock ISLAND RECORDS
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From: universalmusicgroup |
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Time: 03:56 |
Gnarls Barkley - “Crazy”
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The 1st video from 5 time Grammy-nominated album St. Elsewhere by Gnarls Barkley. “You are the best. You are the worst. You are (more)
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From: DowntownRec |
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Time: 03:03 |
More in Music |
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Furtado performing Crazy-Gnarls Barkley cover: Clear Channel Stripped version with Gian Piero Reverberi (C) 2006 Geffen Records…Nelly Furtado Crazy-Gnarls Barkley
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From: universalmusicgroup |
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Time: 03:53 |
Cat Stevens - “Oh Very Young”
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/worldunited-stewart.blogspot.com/ Stewart…cat stevens oh very young Global warming planet nature Earth pollution best super great warning music video (more)
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From: minstral2 |
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Tags: cat stevens oh very young Global warming planet nature Earth pollution best super great warning music video
Time: 02:57 |
Dave Matthews Band - “#41″
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because i think it came out pretty well…enjoy!…dave matthews band music guitar performance cover number # 41 berklee stage student (more)
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From: eamonwhite |
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Time: 07:04 |
The Doors - “Touch Me”
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Smother bros. comedy Hour Performance…The Doors Touch Me
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From: Misfit52687138 |
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Time: 03:13 |
More in Music |
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Video de The Doors Touch me. Incluye The Movie. Subtitulado en ingles….music rock acid doors jim morrison lizard king touch movie favorite mexico guanajuato
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From: Dragonzito |
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Tags: music rock acid doors jim morrison lizard king touch movie favorite mexico guanajuato dance fire the
Time: 03:52 |
Jimi Hendrix - “Purple Haze”
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Purple Haze Video Jimi Hendrix-Guitar Noel Redding-Bass Mitch Mitchell-Drums…Jimi Hendrix Classic Rock Purple Haze Guitar
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From: vwontheautobahn |
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Time: 02:30 |
Wilson Pickett - “Mustang Sally”
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. This one has Ford Mustangs to the tune of “Mustang Sally” by Wilson Pickett….Mustang Sally Ford Wilson Pickett muscle cars pony
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From: theohiotexan |
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Time: 03:17 |
Below are speed graphs that illustrate the neurological determinism in the speed of music, all calibrated, synthesized and produced by Meanspeed Music.
Sunday, March 29, 2009
DEFINING TEMPO - NOT JUST THROWING THE OUTDATED WEASEL WORD AROUND: Eight graphs, 5 songs with mean speeds between 70-76 beats per minute.
These are eight speed charts that compare some meanspeed graphs. All eight charts above are comparison of the same 5 songs with meanspeeds between 70-76 bpm, meanemotion=grace.
Given just these five songs with the mean-emotion of grace–I wish I had a system i my house where I could play these all at once–because although they all have the same general underlying pulse–they sound so different. A Very Good Year by the Chairman Of The Board, from Hoboken, New Jersey, Frank Sinatra “sounds” slower, Bad Day by Daniel Powter and El Malecon by Orchestra Harlow sound faster. If a [mishmasher DJ] makes a song out of this, I’d love to hear it! /Ian Andrew Schneider/
Sunday, March 1, 2009
meanspeed® music - Flashback 14 months - Matt Cassel, the Trade & the Reuturn of Boston’s Best Althlete?
Is Today’s AFC Championship Game the Domain of THE “Gaucho” - Mr. Tom Brady? Will TB earn a place in Keith Jarrett and Steely Dan’s Legend?
Will Thomas Brady be THE gaucho?
The song “GAUCHO,” performed by Steely Dan in one of their finest of many innovative, creative and entertaining songs they ever put their name on.
This song was written by either Keith Jarrett, the pianist who plays classical and jazz with such range and such domination of skill and feel in both areas that he is arguably the most versatile solo instrumentalist of the past quarter century, or Steely Dan. Depending on who you believe, it was plagiarism in part, unconscious plagiarism, or simply coincidental songs—I think the judge ruled in favor of Keith at the trial level—but the case was appealed and in the time between appeal and trial all escrow money was going to Keith—all of which is: just a testament to how excellent a piece of writing this is. I love Keith’s music, but he has released approximately 100—as solos!—he must be on at least 10,000 individual recordings—therefore, I am not surprised that I’ve never heard Keith’s [version].
Point: even if the songs are identical, that fact would not diminish from how good a song it is.
Now: IS TOM BRADY AN AMERICAN GAUCHO???
Calibrations by I. Schneider, supervised by James C.C. Manning
| Wind Beneath My Wings | Bette Midler | 62.0 |
| This One’s For You | Barry Manilow | 62.0 |
| Candle In The Wind | Elton John | 62.1 |
| Look What You’ve Done To Me | Boz Scaggs | 61.1 |
| Luka | Suzanne Vega Live-Grammy Awards 2/24/88 |
61.1 |
| The Last Resort | Eagles | 62.2 |
| Nebraska | Bruce Springsteen | 62.2 |
| Vienna | Billy Joel | 62.2 |
| Don’t Cry | Guns N’ Roses | 62.3 |
| Gaucho | Steely Dan | 62.3 |
| Image Of A Girl | The Safaris | 62.3 |
| No Surrender | Bruce Springsteen | 62.3 |
| The First Time Ever I Saw Your Face | Roberta Flack | 62.4 |
| The Glory of Love | The Five Keys |
The Meanspeed Summary
song=”Gaucho”
composer as determined by copyright judge=Keith Jarrett
performer=Steely Dan
mean speed/standard tempo/average velocity=62.3 beats per minute.
universal standard tempo scale category=sincerity
average beat=963 milliseconds per beat.
slideshow by SARAH JANE BRISTOL
Ian Andrew Schneider
January 20, 2008
republished March 1, 2009, with the kind help of blog.com
Monday, February 23, 2009
The neurosequential model of therapeutics - sounds great! Where’s the proof? Is this another game of You Cannot Prove [them] Wrong so [the experts] *must* be Right?
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Editorial Reviews
This digital document is an article from Reclaiming Children and Youth, published by Reclaiming Children and Youth on September 22, 2008. The length of the article is 2857 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.
Citation Details
Title: The neurosequential model of therapeutics.
Author: Bruce D. Perry
Publication: Reclaiming Children and Youth (Magazine/Journal)
Date: September 22, 2008
Publisher: Reclaiming Children and Youth
Volume: 17 Issue: 3 Page: 38(6)
Distributed by Gale, a part of Cengage Learning
Excerpt. © Reprinted by permission. All rights reserved.
Going beyond the medical model, The Neurosequential Model of Therapeutics maps the neurobiological development of maltreated children. Assessment identifies developmental challenges and relationships which contribute to risk or resiliency. Formal therapy is combined with rich relationships with trustworthy peers, teachers, and caregivers.
The developing child is a miracle of complexity. Billions of dynamic processes, internal (e.g., release of neurotransmitter at the synapse) and external to the child (e.g., interactions with caregivers and family), work together to influence, shape, and create the individual. Each person becomes unique, with his or her collection of strengths and vulnerabilities. In some cases the vulnerabilities can be profound, interfering with the capacity to engage others, participate in, contribute to, and appreciate the…
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The Brainwave Authoriy?
AAKOM: Brainwave Frequency Listing
I’m not completely sure what the dual tempo means. …… However, he found a constant of 243.2 ms when multiplying the reaction time … that scanning of the full memory is always executed at a speed of 4-Hz. … Alpha/Theta Neurofeedback results in some 80% of those addicts properly trained becoming non-craving, …
aakom.blogspot.com/2009/02/brainwave-frequency-listing.html - 263k -
Wednesday, February 18, 2009
“You walked into the party like you were walking on to a yacht!” CARLY SIMON: “YOU’RE SO VAIN” - Tempo analysis of minor key pop at a comfort speed
These are some speed charts from the original studio version of the Carly Simon classic You’re So Vain.
“You’re So Vain” falls at the slower end of lust. As you can see, the song was recorded without the use of any metronome or substitute therefore, so the speed of the measures vary from 100-110 1/2 beats per minute.
Like many songs at the speed of lust, the song is in a minor key. For those who don’t know, “minor” keys are have the dark, sad sound, as they are based on minor chords and minor scales. Songs as Riders On The Storm, The Sounds Of Silence, White Room, California Dreaming: all in a minor key. It is impossible to say why. It is easy to guess, though, that a lustful sound, sometimes pure desire, sometimes sexual sometimes just a [life wish], sounds more intense with the darker sound of a minor key. Minor keys: In The Air Tonight, White Room, Layla at the speed of Enthusiasm, Lust and foreboding, respectively—would sound absurd in D major rather than the dark D minor.
Also, it’s not fair to put that out about Layla without explaining part two: Db major, a part written by the drummer separately where Clapton convinced him to make it part two of the song. It is almost played out—in Goodfellas, it is played almost on a loop. The key is Db major—always a wet sounding dark key—with a bridge in Bb minor.
Meanspeed-Carlton Summary
sing title=You’re So Vain
composer=Carly Simon
standard tempo/mean speed=105.6 beats per minute
mean-emotion=Lustful
beat frequency=1.76 beats per second
average beat length=568 milliseconds per beat.
mean slow phase=1.76 cycles per second.
corresponding pitch=450.56 Hertz, 40 cents above A4=440.000 Hertz and 60 cents below A#4/Bb4=466.164 Hertz.
The Cavalry Baptist Church on E Street in Asbury Park, Daniel Powter’s acoustic BAD DAY, meanspeed=67.7 bpm, Mission Springsteen accomplished
Back from: Mission Springsteen. As you know, in matters such as that with one as that of the “Boss.” Long story short: thank you to all the people of Asbury Park, Bradley Beach and Belmar New Jersey who were fantastically fantastic hosts for Mission Springsteen—a secret mission about which I hope to be able to speak in an open manner. For now, suffice to say: Bruce is “totally fine with” my site and the use of his songs on the site—as long as I do not start publishing lyric and chord sheets. While waiting around to meet Bruce and his most pleasant and friendly entourage (more like good friends than a “posse”), I had time to prepare these charts which feature two things: the two 3-D graphs and the linear graph show Daniel Powter performing Bad Day, an iTunes download, alone with a piano accompaniment only. As you can see from the chart on the top which compares the two performances: one is a sequencer in repetitive time, the other in Powter’s head—pure live time. Is one better than the other? No. Is one way more “pure” than the other—hey, isn’t a metronome cheating, didn’t Powter obviously cheat in the “rock” version??? NO! Playing with a sequencer is as tricky and difficult and musically demanding as playing live, and those musicians who can play either way—Metheny, Mays, Collins, Gabriel, Bowie, The Stones, Dave Matthews band, Clapton, Townsend, John, Sting, Springsteen—these people make it. There used to be a commercial in the 1970s pitching Memorex Brand cassette recording tape. The slogan, after a recording of an opera singer was so well duplicated on the cassette that the reproduction of the high notes shatters a wine glass: “Is it live, or it Memorex?” As per the metronome, the best bands and musicians, a few mentioned above, have musicians who have all trained themselves to have fun playing on a sequenced track or have fun just playing live—and what happens is is that often the sequencer frees up the playing, and such recording sounds more Live tan a real live recording than is trying to Stay on Beat. These are the mean frequencies for the acoustic version of Bad Day, calibrated as my team’s undisclosed vehicle passed the Cavalry Baptist Church on E Street in Asbury Park. The song : My City Of Ruins was blasting in my head. Asbury needs a Bruce Museum on E Street—an amazing place—bring your bathing suit, etc—2 blocks from the sea. Please notice, as Sting and a list that could go from Paul Simon to Bob Marley, the disproportionate number of artists who live almost next to an ocean? Is it the salt in the water that increases creativity? I think it is a possibility. Anyway, the breakdown of Bad Day, live, acoustically: Meanspeed=67.7 beats per minute
mean-emotion=ceremony
average beat=0.886 seconds
mean slow phase=1.128 cycles per second
corresponding pitch=288.85 Hertz, 71.5 cents above D4=293.665 Hz and 28.5 cents below D#4/Eb4=311.127. Back from the beautiful New Jersey shore, reviving Atlantic Ocean, kind people—Mission Springsteen accomplished, Ian Schneider New York City 27 July 2006
Friday, January 30, 2009
Orchestra Harlow, EL MALECON, salsa classic, meanspeed=71.6 bpm, meanemotion=graceful, also heard as 143.2 bpm in the complex poly-rhythms
On this Latin salsa piece, El Malecon by Orchestra Harlow I charted the four underlying quarters notes of the measure—so if you are hearing a speed double this one, you are hearing the 8th notes playing poly-rhythmically above the steady pulse of 71.6 beats per minute.
The graph features 4 beat groups that are continuous moving averages. Said Luis, of 83rd street, who owns 880 salsa CDs and will slow down when he “reaches a thousand,” called this Harlow piece “of the ultimate Latin classic roots of salsa.”
Meanspeed-Carlton Summary
song title=”El Malecon”
standard tempo/mean speed=71.6 beats per minute, using a 1/2 note as the beat
emotional concept=grace
beat frequency=1.193 beats per second
average beat length=838 milliseconds per beat.
mean slow phase=1.193 cycles per second.
corresponding pitch= 305.49 Hertz, 70 cents above D4=293.665 Hertz and 30 cents below D#4/Eb4=311.127 Hertz.
The liner notes indicate that:
Vocals-Ismael Miranda
Producer-Jerry Masucci
Recording Director-Larry Harlow
Ian Andrew Schneider
January 29, 2009
